To the friends, family, colleagues, acquaintances, and strangers who have donated to Paulina (She is alone) in 2018:
I am (we are) so honored and touched by your generous acts of support at this crucial phase. This is a self-organized project that requires many leaps of faith. Each step forward is only made possible by the sprouting of yet another bridge, that connects to yet another, and another:
Chloe Bass Andrew Beccone Keren Benbenisty
Jules Bernstein Lauren Bierly Tova Carlin Tyler Coburn Angela Conant
Marianna de Nadal Jesse Devine
Liliana Dirks-Goodman Elise Gardella Jonathan Garfinkel Alicja Gaskon Yasi Ghanbari
Abigail Glaum-Lathbury Aviad Goldgevicht
Clay Haphaz Kara Hearn Anne Hege Nung-Hsin Hu
Emily Katz Zebadiah Keneally Jac Lahav Steve Lambert Katerina Lanfranco
Bernice Levy Dana Levy Doug Levy Ronald Levy Dan Liberatore
David Maroto Wendy Meirs Marcari Nat May
Kate McKrickard Howie Meirs Marvin Meirs Susan Meyrowitz and David Meyrowitz Eric and Jessica Meyrowitz Georgia Muenster
Jolene Noelle Harrison Owen and Wiley Bowen Leonard Pariser Mark Pariser
Wayne Pariser Piero Passacantando Clare Posnack Sheetal Prajapati Sunita Prasad Laurel Ptak
Misha Rabinovitz and Caitlin Foley
Shai Rao Evan Read Nat Roe Michael Rubenfeld Anna Rutenberg
Laura Schneider Harris Schrank David Eric Schwartz Todd Shalom Elisabeth Smolarz Maya Suess Sarah Cameron Sunde
Stephanie Tang Dannielle Tegeder Hong-An Truong Hannah Tümpel Jason Urban
Viktor Valasek Angela Washko Alice West
Kit Yi Wong Ségolène Xavier Anonymous x 6!
Additional gratitude to Asylum Arts Small Grants Program for supporting the project, to Brooklyn Arts Council for being its Fiscal Sponsor, to the POLIN Museum for the History of Polish Jews for hosting the ongoing research and presentation, to the Emmanuel Ringelblum Jewish Historical Institute for additional research support, and Warsaw JCC for hosting our very first event in Warsaw. Special acknowledgement to the individuals at these institutions who have dedicated valuable time and energy to this project in 2018, making 2019 possible, and the artist-peers who have offered valuable guidance and expertise to this developing process.
And (last but not least) to Patrycja Dołowy, for her collaboration, support, and friendship throughout this unpredictable and exciting time.